Publications from the Faculty of Arts

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Jacobsen, S. (2022). The Aesthetic Becoming of Modern Working Life. [PhD dissertation, Aarhus University]. Aarhus Universitet. https://doi.org/10.7146/aul.444

Nørgaard, C. (2022). The affective overflow of putting data to work: A study of school leaders and their affective appropriation of data instructed to promote quality in education. [PhD dissertation, Aarhus University]. Aarhus Universitet. https://doi.org/10.7146/aul.443

Hastrup-Markussen, J. (2022). The Age of Inheritance: Representations of Inheritance in English Literature from 1837 to 1914. [PhD dissertation, Aarhus University].

Roborg, A. S. & Løvschal, M. (2022). The Aldersro wetland-settlement complex: Deposition and mortuary practices in Pre-Roman Iron Age, Eastern Jutland, Denmark. Danish Journal of Archaeology, 10 (2021), 1-8. https://doi.org/10.7146/dja.v10i0.125120

Jensen, J. L. (2022). The algorithmic public and its problems. Paper presented at Media and Publics 2022.

Bruun, M. H. & Wahlberg, A. (2022). The Anthropology of Technology: The Formation of a Field. In The Palgrave Handbook of the Anthropology of Technology (pp. 1-33). Palgrave Macmillan. https://doi.org/10.1007/978-981-16-7084-8_1

Hansen, A. S. (2022). The Arctic Shipping Route After the Suez Canal Blockage in 2021: Implications for Denmark, Japan, and Ghana. Paper presented at Israel Association of international studies , Haifa, Israel.

Rainsford, D. (2022). The Artful Dickens: Tricks and Ploys of the Great Novelist, by John Mullan (review). Dickens Quarterly, 39(2), 218-222.

Michelsen, L. L. N. (2022). The Art of Disappearing in an Age of Ubiquitous Biopolitical Surveillance. [PhD dissertation, Aarhus University].

Skovlund, H., Mørck, L. L. & Celosse Andersen, M. (2022). The Art of Not Being Neutral in (some fields) of Qualitative Research. 1-15. Paper presented at ISTP Conference 2022, Sacramento, California, United States.

Boenisch, P. M. (2022). Theatre Curation and Institutional Dramaturgy: Post-Representational Transformations in Flemish Theatre. Peripeti - tidsskrift for dramaturgiske studier, 19(35), 71-82. https://tidsskrift.dk/peripeti/article/view/130633/176378

French, C. (2022, Feb 1). ‘Theatre of the real’: how artists at Perth Fringe World are stripping down to reveal their vulnerabilities. The Conversation. https://theconversation.com/theatre-of-the-real-how-artists-at-perth-fringe-world-are-stripping-down-to-reveal-their-vulnerabilities-175652

Swanson, H. A. (2022). The Banality of the Anthropocene. In G. Ween & M. Lundblad (Eds.), Control: Attempting to Tame the World (pp. 261-264). Pax.

Larsen, S. E. (2022). The Body: Memory, Desire and Hope. In M. Nadal, M. J. Martínez-Alfaro & S. Pellicer-Ortín (Eds.), Time Present and Time Past: Homage to Susana Onega (pp. 335-345). Prensas de la Universidad de Zaragoza.

Eijk, L., Rasenberg, M., Arnese, F., Blokpoel, M., Dingemanse, M., Doeller, C. F., Ernestus, M., Holler, J., Milivojevic, B., Özyürek, A., Pouw, W., van Rooij, I., Schriefers, H., Toni, I., Trujillo, J. & Bögels, S. (2022). The CABB dataset: A multimodal corpus of communicative interactions for behavioural and neural analyses. NeuroImage, 264, Article 119734. https://doi.org/10.1016/j.neuroimage.2022.119734

Rasmussen, K. S. G., Ravn, K. S., Tafdrup, J. & Baunvig, K. F. (2022). The Case for Scholarly Editions. Abstract from Digital Humanities in the Nordic and Baltic Countries Conference (DHNB 2022), Uppsala, Sweden.

Rasmussen, K. S. G., Ravn, K. S., Tafdrup, J. & Baunvig, K. F. (2022). The Case for Scholarly Editions. In Proceedings of the 6th Digital Humanities in the Nordic and Baltic Countries Conference (DHNB 2022) (Vol. 3232, pp. 401-405). CEUR-WS.org. http://ceur-ws.org/Vol-3232/paper39.pdf

Joyce, S. (2022). The Centenary on Screen: Transnational Productions of the Easter Rising. Eire - Ireland, 57(1&2), 87-109. https://doi.org/10.1353/eir.2022.0004

Lund, J. (2022). The Changing Constitution of the Present: Essays on the Work of Art in Times of Contemporaneity. Sternberg Press.

Horton, M., Olsen, J., Fleisher, J. & Wynne-Jones, S. (2022). The Chronology of Kilwa Kisiwani, AD 800–1500. African Archaeological Review, 39(2), 143-166. https://doi.org/10.1007/s10437-022-09476-8

Skrubbeltrang, L. S., Stilling Olesen, J. & Nielsen, J. C. (2022). The Coach as Gatekeeper, distributor of Resources and Partner for Sports Talents. Sports Coaching Review, 11(2), 233-251. https://doi.org/10.1080/21640629.2021.1978730

Maleve, N. R. M. (2022). The Computer Vision Lab: The Epistemic Configuration of Machine Vision. In A. Dewdney & K. Sluis (Eds.), The Networked Image in Post-Digital Culture (pp. 83-101). Routledge. https://doi.org/10.4324/9781003095019-7

Berge, O. K., Sigurjónsson, N. & Hansen, L. E. (2022). The consequences of the Covid-19 pandemic on Nordic cultural policy. Nordisk Kulturpolitisk Tidskrift, 25(2). https://doi.org/10.18261/nkt.25.2.0

Andersen, T., Hansen, A. S., Aryee, J. N. A. & Acheampong, G. (2022). The Continuous Search for New Port Governance Models -Experiences from a Tema port, Ghana. Paper presented at World of Shipping Conference, Portugal.

Lueg, K. & Johansen, T. S. (2022). The corporate making of history: History communication of organizations as research subject. Culture, Practice & Europeanization, 7(1), 146-151. https://doi.org/10.5771/2566-7742-2022-1-146

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Knud Holt Nielsen